Wall Painting in Pompeii.
Wall Painting in Pompeii. Plaster, Stucco, Paint. Studi e ricerche del Parco archeologico di Pompei, 37, 2018. L’Erma di Bretschneider, Roma. ISBN: 978-88-913-1651-6.
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Publications
Pompeian Plasters
Pompeian Plasters. Buildings in Regiones I, V, VI, VII, VIII, and IX. Rome 2012. ISSN 1825-7725. The Swedish Institute in Rome. Projects and Seminars 5:2. on-line: www.isvroma.it (publications)
La collezione di antichità di Palazzo Lancellotti ai Coronari, Roma
Editors: Marcello Barbanera and Agneta Freccero. Roma 2008. ISBN 978-88-8265-485-6. Palazzo Lancellotti ai Coronari houses a large collection of statues, reliefs and other works of art made of marble. Most items are of the Roman period, often with reconstruction or infillings where pieces were missing, mostly datable to the Baroque period. The first section
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Art, Conservation, Science
Art, Conservation, Science. The Collection of Antiquities at the Palazzo Lancellotti ai Coronari, Rome. The West Wall of the Courtyard – Work in Progress. Edited by Marcello Barbanera and Agneta Freccero. Rome 2005. ISSN 1825-7725. The Swedish Institute in Rome. Projects and seminars 3:1. available on-line: www.isvroma.it (publications) The courtyard at Palazzo Lancellotti was at
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Pompeian Plasters
Insula I 9 and Forum Rome 2005. ISSN 1824-7725. The Swedish Institute in Rome. Projects and Seminars 5:1. available on-line: www.isvroma.it (publications) Investigation on Pompeian wall painting and the materials of which these were made. The project, funded by The Swedish Research Councel (Vetenskapsrådet) was made in collaboration with the Soprintendenza archeologica di Pompei,
Romersk marmor
Romersk marmor. Axel Munthes konstsamling i Villa San Michele, Capri. Värnamo 2003. ISBN 91-46-20153-0. Villa San Michele with its extraordinary view over the Bay of Naples was created by the Swedish doctor Axel Munthe. Works of antique and later art are displayed in the house and its semi-open spaces. Also the precious terraced garden
Roman Marbles
Roman Marbles. The Art Collection of Axel Munthe at Villa San Michele, Capri. Värnamo 2003. ISBN 91-46-20242-0. Villa San Michele with its extraordinary view over the Bay of Naples was created by the Swedish doctor Axel Munthe. Works of antique and later art are displayed in the house and its semi-open spaces. Also the
Encausto and Ganosis
Encausto and Ganosis. Beeswax as paint and coating during the Roman era and its applicability in modern art, craft and conservation. Göteborg 2002. ISBN 91-7346-414-7. The publication is a slightly re-worked version of my doctoral thesis, in which a short chapter on polychrome statuary as well as the appendices were lifted out.
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Roman Painting
Roman Painting. Wall Paintings, Fayum Portraits and Polychrome Statuary. Conservation, Materials and Context. Göteborg 2000. ISSN 1101-3303. Some ancient techniques, encaustic painting and ganosis, are at focus in this PhD dissertation. The principal material connecting the techniques is beeswax, or Punic wax. either as paint or surface coating. The techniques are related to Fayum
Mumieporträtt
Mumieporträtt. En konstbok från Nationalmuseum. Stockholm 2000. The yearbook of Nationalmuseum 2000. With an introduction by Dominic Montserrat. The collection of twenty-seven portraits made on wooden panels, generally referred to as Fayum portraits, are named after the site where many were found. Sometimes they are called mummy portraits, since they were found placed upon
